All of a Sudden I Miss Everyone

Sometimes Explosions in the Sky start with a whisper and end with a scream, but on "Birth and Death of the Day", they begin with a scream and proceed into a symphonic odyssey that Aaron Copland might have composed if he'd played electric guitar. Like Copland, EITS are cinematic, but with more kinetic drive than any film--except maybe Koyaanisqatsi--could match. Compositions like "It's Natural to Be Afraid" take you on epic journeys that roar like a Harley Davidson one minute and slip into taut contemplation the next, using the slow-tension build that EITS have perfected. All of a Sudden I Miss Everyone was produced by John Congleton, who has worked with lo-fi groups like the Roots and the Mountain Goats. That might explain why the album lacks the atmosphere of EITS's monumental The Earth Is Not a Cold Dead Place and their Friday Night Lights soundtrack. Instead, they rely even more on the arc of their compositions and the integral twin lead guitar lines that never solo but always drive the songs. They can shift from power-chord aggression to the sound of plucked mandolins in an instant. This is progressive rock for people who weren't even born when prog reigned supreme. It's the sound of King Crimson, transmuted through punk and grunge aesthetics.