by Jason Ankeny
The foremost song parodist of the MTV era, Weird Al Yankovic carried the torch of musical humor more proudly and more successfully than any performer since Allan Sherman. In the world of novelty records — a genre noted for its extensive back catalog of flashes-in-the-pan and one-hit wonders — Yankovic was king, scoring smash after smash over the course of an enduring career which found him topically mocking everything from new wave to gangsta rap.
Alfred Matthew Yankovic was born October 23, 1959, in Lynwood, CA. An only child, he began playing the accordion at age seven, following in the tradition of polka star Frank Yankovic (no relation); in his early teens he became an avid fan of the Dr. Demento show, drawing inspiration from the parodies of Allan Sherman as well as the musical comedy of Spike Jones, Tom Lehrer, and Stan Freberg. In 1973 Demento spoke at Yankovics school, where the 13 year old passed the radio host a demo tape of home recordings; three years later, Demento played Yankovics Belvedere Cruising — an accordion-driven pop song written about the familys Plymouth — on the air, and his career was launched.
Yankovic quickly emerged as a staple of the Demento play list, recording a prodigious amount of tongue-in-cheek material throughout his high-school career. After graduation, he studied architecture; while attending California Polytechnic State University, he also joined the staff of the campus radio station, first adopting the nickname Weird Al and spinning a mixture of novelty and new wave hits. In 1979, the success of the Knacks monster hit My Sharona inspired Yankovic to record a parody dubbed My Bologna; not only was the song a smash with Demento fans, but it even found favor with the Knack themselves, who convinced their label, Capitol, to issue the satire as a single.
After graduating in 1980, Yankovic cut Another One Rides the Bus, a parody of Queens chart-topping Another One Bites the Dust recorded live in Dr. Dementos studios; the song became an underground hit, and Yankovic followed it up with I Love Rocky Road, a satire of Joan Jett & the Blackhearts I Love Rock n Roll. After hooking up with noted session guitarist and producer Rick Derringer, he signed to Scotti Bros., which issued his debut LP, Weird Al Yankovic, in 1983. The album featured the song Ricky, a tune inspired equally by Toni Basils hit Mickey and the I Love Lucy television series; issued as a single, it hit the Top 100 charts, and its accompanying video became a staple of the fledgling MTV network.
Ultimately, much of Yankovics success resulted from his skilled use of music video, a medium not available in the era of Spike Jones or Allan Sherman; suddenly, not only could records themselves serve as parody fodder, but their video clips were ripe for satire as well. Additionally, MTV firmly established Yankovics public persona; sporting garish Hawaiian shirts, frizzy hair, and an arsenal of goofy mannerisms, he cut a distinctly bizarre figure which he consistently exploited to maximum comic effect. After Michael Jacksons Beat It became the most acclaimed video in the mediums brief history, Yankovic recorded Eat It for his sophomore effort, 1984s Weird Al Yankovic in 3-D; the Eat It video, which mocked the Beat It clip scene-for-scene, became an MTV smash, and the Grammy-winning single reached the Top 15.
In addition to Eat It, In 3-D also launched the minor hits King of Suede (a rewrite of the Polices King of Pain) and I Lost on Jeopardy (a send-up of the Greg Kihn Bands Jeopardy), as well as Polkas on 45, the first in a series of medleys of pop hits recast as polka numbers. Dare to Be Stupid, the first comedy record ever released in the new compact disc format, followed in 1985, and featured Like a Surgeon, a takeoff of the Madonna hit Like a Virgin. Like its predecessor, Dare to Be Stupid went gold, but 1986s Polka Party! fared poorly and charted only briefly, prompting many to write off Yankovics career.
However, in 1988, Yankovic returned with the platinum-selling Even Worse, its title and album cover a reference to Michael Jacksons recent Bad LP. Im Fat, the first single and video, also parodied the lavish Martin Scorsese-directed clip for Jacksons hit Bad; shot on the same subway set used by Jackson, the video — which portrayed Yankovic as a grotesquely obese tough guy — won him his second Grammy. The next year, he starred in the feature film UHF, which he also co-wrote; a soundtrack appeared as well.
After an extended period of silence, he returned in 1992 with Off the Deep End, which featured the Top 40 hit Smells Like Nirvana, a send-up of Nirvanas landmark single Smells Like Teen Spirit. After 1993s Alapalooza, he resurfaced in 1996 with Bad Hair Day, his highest-charting record to date thanks to the success of the single Amish Paradise, a takeoff of the Coolio hit Gangstas Paradise. The follow-up, Running with Scissors, appeared in 1999, with Poodle Hat landing in 2003. Straight Outta Lynwood appeared in 2006 with the single White & Nerdy, a suburban parody of Chamillionaires hit Ridin.
The foremost song parodist of the MTV era, Weird Al Yankovic carried the torch of musical humor more proudly and more successfully than any performer since Allan Sherman. In the world of novelty records — a genre noted for its extensive back catalog of flashes-in-the-pan and one-hit wonders — Yankovic was king, scoring smash after smash over the course of an enduring career which found him topically mocking everything from new wave to gangsta rap.
Alfred Matthew Yankovic was born October 23, 1959, in Lynwood, CA. An only child, he began playing the accordion at age seven, following in the tradition of polka star Frank Yankovic (no relation); in his early teens he became an avid fan of the Dr. Demento show, drawing inspiration from the parodies of Allan Sherman as well as the musical comedy of Spike Jones, Tom Lehrer, and Stan Freberg. In 1973 Demento spoke at Yankovics school, where the 13 year old passed the radio host a demo tape of home recordings; three years later, Demento played Yankovics Belvedere Cruising — an accordion-driven pop song written about the familys Plymouth — on the air, and his career was launched.
Yankovic quickly emerged as a staple of the Demento play list, recording a prodigious amount of tongue-in-cheek material throughout his high-school career. After graduation, he studied architecture; while attending California Polytechnic State University, he also joined the staff of the campus radio station, first adopting the nickname Weird Al and spinning a mixture of novelty and new wave hits. In 1979, the success of the Knacks monster hit My Sharona inspired Yankovic to record a parody dubbed My Bologna; not only was the song a smash with Demento fans, but it even found favor with the Knack themselves, who convinced their label, Capitol, to issue the satire as a single.
After graduating in 1980, Yankovic cut Another One Rides the Bus, a parody of Queens chart-topping Another One Bites the Dust recorded live in Dr. Dementos studios; the song became an underground hit, and Yankovic followed it up with I Love Rocky Road, a satire of Joan Jett & the Blackhearts I Love Rock n Roll. After hooking up with noted session guitarist and producer Rick Derringer, he signed to Scotti Bros., which issued his debut LP, Weird Al Yankovic, in 1983. The album featured the song Ricky, a tune inspired equally by Toni Basils hit Mickey and the I Love Lucy television series; issued as a single, it hit the Top 100 charts, and its accompanying video became a staple of the fledgling MTV network.
Ultimately, much of Yankovics success resulted from his skilled use of music video, a medium not available in the era of Spike Jones or Allan Sherman; suddenly, not only could records themselves serve as parody fodder, but their video clips were ripe for satire as well. Additionally, MTV firmly established Yankovics public persona; sporting garish Hawaiian shirts, frizzy hair, and an arsenal of goofy mannerisms, he cut a distinctly bizarre figure which he consistently exploited to maximum comic effect. After Michael Jacksons Beat It became the most acclaimed video in the mediums brief history, Yankovic recorded Eat It for his sophomore effort, 1984s Weird Al Yankovic in 3-D; the Eat It video, which mocked the Beat It clip scene-for-scene, became an MTV smash, and the Grammy-winning single reached the Top 15.
In addition to Eat It, In 3-D also launched the minor hits King of Suede (a rewrite of the Polices King of Pain) and I Lost on Jeopardy (a send-up of the Greg Kihn Bands Jeopardy), as well as Polkas on 45, the first in a series of medleys of pop hits recast as polka numbers. Dare to Be Stupid, the first comedy record ever released in the new compact disc format, followed in 1985, and featured Like a Surgeon, a takeoff of the Madonna hit Like a Virgin. Like its predecessor, Dare to Be Stupid went gold, but 1986s Polka Party! fared poorly and charted only briefly, prompting many to write off Yankovics career.
However, in 1988, Yankovic returned with the platinum-selling Even Worse, its title and album cover a reference to Michael Jacksons recent Bad LP. Im Fat, the first single and video, also parodied the lavish Martin Scorsese-directed clip for Jacksons hit Bad; shot on the same subway set used by Jackson, the video — which portrayed Yankovic as a grotesquely obese tough guy — won him his second Grammy. The next year, he starred in the feature film UHF, which he also co-wrote; a soundtrack appeared as well.
After an extended period of silence, he returned in 1992 with Off the Deep End, which featured the Top 40 hit Smells Like Nirvana, a send-up of Nirvanas landmark single Smells Like Teen Spirit. After 1993s Alapalooza, he resurfaced in 1996 with Bad Hair Day, his highest-charting record to date thanks to the success of the single Amish Paradise, a takeoff of the Coolio hit Gangstas Paradise. The follow-up, Running with Scissors, appeared in 1999, with Poodle Hat landing in 2003. Straight Outta Lynwood appeared in 2006 with the single White & Nerdy, a suburban parody of Chamillionaires hit Ridin.
