音孔盖是在美国制造的，使用高质量的硬木材。
Lute Hole产品是由Ulysses Busch设计的。Ulysses是近30年来的专业艺术家和吉他手。在研究了现代吉他之前的早期弦乐器之后，他把自己的两种激情结合在了一起。他们最引人注目的特点之一是美丽的音孔玫瑰雕刻。只有在大规模生产乐器的时候，工匠才放弃了费时费力的手工雕刻的音孔玫瑰（或花莲）。在放大之前，剪下大的空洞也会使小型的乐器声音更大。根据Ulysses的说法，“大的空洞不会让乐器听起来更好——想想Stradivarius的f洞吧。”大的空洞是快速而容易制造的，这也是音孔玫瑰艺术消亡的主要原因。
这是创造可移动的声孔玫瑰的灵感，它也有非常现代的好处。良好的反馈控制，而不会中断吉他的关键空气流动。所以现在，需要反馈控制的吉他手实际上可以改善他们吉他的外观，并使用一种不会用大块的高密度橡胶来隔音的产品。根据Ulysses的说法，“在大多数情况下，完全不需要完全覆盖音孔来控制反馈”。
soundhole covers are made in the USA with high quality hard woods.
Lute Hole Products are designed by Ulysses Busch. Ulysses has been a professional artist and guitarist for nearly three decades. He combined his two passions after studying the early stringed instruments that preceded the modern guitar. One of their most striking features were the beautiful soundhole rose carvings. It was only when mass production of instruments began that craftsman dropped the time-consuming and delicate hand carving of soundhole roses (or rosettes). Cutting big empty holes also made the small bodied instruments louder in a time before amplification. According to Ulysses "Big empty holes don't make instruments sound better - think about the f-holes on a Stradivarius. Big empty holes are quick and easy to manufacture and that's the primary reason the art of soundhole roses died out".
This was the inspiration for creating removable soundhole roses which also had a very modern benefit. Excellent feedback control without interrupting the crucial air flow of acoustic guitars. So now guitarists with a need for feedback control can actually improve the look of their guitar and use a product that doesn't deaden the soundboard with a large piece of dense rubber. According to Ulysses "It's absolutely not necessary to completely cover the soundhole to control feedback in most situations".
Lute Hole产品是由Ulysses Busch设计的。Ulysses是近30年来的专业艺术家和吉他手。在研究了现代吉他之前的早期弦乐器之后，他把自己的两种激情结合在了一起。他们最引人注目的特点之一是美丽的音孔玫瑰雕刻。只有在大规模生产乐器的时候，工匠才放弃了费时费力的手工雕刻的音孔玫瑰（或花莲）。在放大之前，剪下大的空洞也会使小型的乐器声音更大。根据Ulysses的说法，“大的空洞不会让乐器听起来更好——想想Stradivarius的f洞吧。”大的空洞是快速而容易制造的，这也是音孔玫瑰艺术消亡的主要原因。
这是创造可移动的声孔玫瑰的灵感，它也有非常现代的好处。良好的反馈控制，而不会中断吉他的关键空气流动。所以现在，需要反馈控制的吉他手实际上可以改善他们吉他的外观，并使用一种不会用大块的高密度橡胶来隔音的产品。根据Ulysses的说法，“在大多数情况下，完全不需要完全覆盖音孔来控制反馈”。
soundhole covers are made in the USA with high quality hard woods.
Lute Hole Products are designed by Ulysses Busch. Ulysses has been a professional artist and guitarist for nearly three decades. He combined his two passions after studying the early stringed instruments that preceded the modern guitar. One of their most striking features were the beautiful soundhole rose carvings. It was only when mass production of instruments began that craftsman dropped the time-consuming and delicate hand carving of soundhole roses (or rosettes). Cutting big empty holes also made the small bodied instruments louder in a time before amplification. According to Ulysses "Big empty holes don't make instruments sound better - think about the f-holes on a Stradivarius. Big empty holes are quick and easy to manufacture and that's the primary reason the art of soundhole roses died out".
This was the inspiration for creating removable soundhole roses which also had a very modern benefit. Excellent feedback control without interrupting the crucial air flow of acoustic guitars. So now guitarists with a need for feedback control can actually improve the look of their guitar and use a product that doesn't deaden the soundboard with a large piece of dense rubber. According to Ulysses "It's absolutely not necessary to completely cover the soundhole to control feedback in most situations".